A city that holds its ground—
while everything around it shifts.

Jerusalem – Rising Edge positions the structure above movement, where the walls remain steady and the terrain below begins to loosen. The incline pulls the eye upward, but never fully resolves into a clear arrival.

Figures move along the slope in small, dispersed groups, their forms softened and absorbed into the surface. They do not define the scene—they pass through it.

The architecture stands with weight, but not rigidity. Edges are softened, partially dissolved, as if the structure is held in place through time rather than force.

Color is layered and active—muted golds, pale stone, and subtle notes of blue and rose—creating a surface that feels alive without losing restraint.

Nothing is fixed.
Nothing collapses.

This is not a stable ground.
It is a held position.

As a one-of-a-kind original, this work does not settle into a space.
It holds it through tension, elevation, and the quiet persistence of form.

Available by private inquiry.